This opus of paintings refers to our world – the cosmos that belongs to the integral painting of the new eon and which the author has been performing since the mid-1980s, such as "Theatrum mundi" from 1986 and similar works until the end of the 1990s.
The painting often paraphrases Malevich's Cross from 1915 and forms variants of a mysterious, hermetic construction as well as a difficult-to-read esoteric symbolism. One can also sense the ideas that give the paintings strength in invoking the mystical renewal of the cosmos.
Perhaps this enthusiasm came from a combination of psychology and alchemy of Carl Gustav Jung, and his ideas appear as theses on synchronicity. These paintings were created some time before the exhibition at "Artist is Space in New York, 1989.".